sign up

Visiting us soon? Please note that we are now cashless at Box Office and all bars and kiosks...

CALLY BEATON
Thu 6 Nov

CALLY BEATON

Frankwell QuayShrewsburySY3 8FT

Walker Theatre

Details Dates/Times & Buy Tickets

CALLY BEATON
NAMASTE MOTHERF*CKERS

Now a Sunday Times best seller.
 
Cally Beaton (QI, Live at the Apollo) gives a quick-witted, unexpected and unapologetic insight into life in midlife.

Combining Cally’s comedic and storytelling prowess with extracts from her provocative, stereotype-busting book of the same name, the show has at its heart her own story of radical reinvention – taking her from meetings in boardrooms to treading the boards, thanks to a chance conversation with the late, great Joan Rivers.
 
A funny show about a deadly serious subject, Namaste Motherf*ckers is a celebration of and for the female species. Invisible no more.
 
The show has just celebrated an Edinburgh Festival Fringe 2025 sell-out.
 
Includes a Q&A and meet-and-greet with Cally (who knows, Jeff the wonder dog may even be there too).
 
“Sprightly wit and considerable storytelling prowess” The Scotsman
 
"Gripping, perceptive and uplifting" Chortle
 
"Original and clever" The Arts Desk – pick of the Edinburgh Fringe

£22 | FRIENDS 10% OFF 
 
Photo credit - Natasha Pszenicki
Thu 06 Nov08:00PM Book
Venue Levy
Where applicable, advertised ticket prices are inclusive of a venue levy, retained by the venue to sustain and develop the programme of arts and culture in Shropshire.

You May Also Like ...

FRI 3 OCT
Two intrepid explorers, one impossible mission (featuring at least one joke about a big hole), and no special effects budget whatsoever. What could possibly go wrong?   From the makers of War…
SAT 4 OCT
DAN NIGHTINGALE & FRIENDS With Eshaan Akbar and Mark Nelson   An unmissable night of comedy with the host of Have A Word and some of his very funny comedian mates.   Featuring new stand-up from…
FRI 10 OCT
Apollo Theatre Company bring the classic radio comedy show, Round the Horne to life.   Be transported back to the late 1960s and the anarchic, boisterous atmosphere of the BBC's Paris Theatre…